HH Spotlight: In the Life of a Professional Performance Dancer


(Pictured: Michaela McGowan; Photo by Michael Schene)
It’s no surprise that dancers are strong, agile, and graceful. They’re the only athletes that can defy gravity with one swift leap, or pirouette into a seemingly never-ending spiral. Dancers have the unique ability to affect their audiences, while making every movement appear effortless and natural; it’s extraordinary to watch.
But, an audience doesn’t see all the hard work it takes behind the scenes to make it as an employable dancer– the pain, blood, sweat, and tears. However, Michaela McGowan, Allison Schieler, Schaffer Scheussler, and Lila Simmons know the intimacies of what it takes, all too well. Members of the prestigious dance department at New York University’s Tisch School of the Arts, these four intellectual dancers have the stamina to go far in the industry.
What initially made you want to audition for Tisch’s Dance Department?
Michaela McGowan: As I began reading about the program, the more interested I became and the more I wanted to know. I realized that NYU was turning out to be the perfect fit for me. There was enough structure to be challenging, but not absolutely and utterly overwhelming, and in general it was seeming like a great balance between things I’d never known before and things I’ve done since I was three years old.
Allison Schieler: Attending LaGuardia Performing Arts High School at Lincoln Center was, without a doubt, one of the best experiences of my life. I was constantly surrounded by the arts, as well as other students who were equally as passionate as I was. I wanted that same passion, creativity, and culture that I was immersed in throughout my four years in high school. NYU/Tisch had this appeal for me. As NYU is one of the highest ranked schools in the country, I knew my academic education surely would not suffer. I would also be receiving training from some of the most knowledgeable, experienced dancers in the field.
Schaffer Schuessler: I wanted to audition for the Dance Department at NYU’s Tisch because I had a friend who was already attending, and he spoke very highly of the program and the faculty. I was also fond of the fact that even though Tisch Dance was a conservatory program, I was offered the chance to take advantage of NYU’s College of Arts and Science classes. This unique combination, of a strict focus on dance and academics, was very appealing to me.
Lila Simmons: I originally auditioned for the dance department because I had heard it was a great dance program. The director of my arts high school and company had attended NYU and suggested it. I think following in his footsteps really led my interest in the school, but I’d also heard a lot about it from other dancers.

(Airborne: Allison Schieler; Photo courtesy of Ella Bromblin)
How do you think you have grown as a dancer?
Michaela McGowan: As a dancer, I’m not the same dancer I was three years ago, and I am thankful for that! I believe that Tisch’s dance program really is what you make of it. I feel that attending NYU has given me the tools I was lacking before I came. Here, I’ve been challenged with the reasoning behind the action. I feel that I now know what it means to take class as a “thinking dancer.”
Allison Schieler: Each year at NYU has been significantly different, and has taught me lessons that I am extremely grateful for. However, while it’s true that hard work and tenacity are essential to getting through such a rigorous program, it is important not to lose yourself along the way. I eventually realized that I had to start doing things for me, and appreciate myself for everything I am. All I can ask of myself is that I do my personal best each and every day. That is the only healthy way to grow and that is good enough.
Schaffer Schuessler: NYU has expanded my range of dance as a performer and and audience member. Another perk of being at NYU the past three years is that I have been living in New York City, which has had a great impact on me, as a person. I have done a lot of growing up in these past three years, especially because I am so far from home. I live, eat, breath, and sleep dance! Technique classes, rehearsals, and performances have become my life and I could not be happier.
Lila Simmons: I think I’ve really grown as a dancer, but specifically as a person while at NYU. As a dancer, I’ve learned to use less energy to get further in my movement. I can now dance more relaxed and a bit looser, while at the same time I’ve found a bigger power force from where my energy comes from and I’ve gotten much stronger. As a person, I’ve really found what makes me happy. I love being involved and busy, so I have a lot going on in my life.

(Pictured: Schaffer Schuessler; Photo Courtesy of Samantha Siegel)
Since all of you have been searching for employment as a professional dancer, tell us about the audition process.
Michaela McGowan: I have to say, I’m actually really enjoying the audition process! During my time at NYU I’ve realized that jazz is my favorite dance style. I’m staying in the city until something takes me somewhere else; I’m leaving all the doors open until I decide to close them. So, as far as auditions go, I’m auditioning for everything. I’ve got some concert dance company auditions coming up (contemporary ballet companies as well as a few modern companies), and I’ve been getting my feet wet in the Broadway audition scene (there’s nothing like a cattle-call audition with 300 other girls), and I’m currently in the process of getting my marketing package together.
Allison Schieler: Any audition, even if it’s for a job you don’t necessarily want, is good practice. My downfall in the audition process is that I have only been auditioning for the jobs I really want, which tend to be the bigger companies (i.e. Cirque du Soleil, Pilobolus). Landing your dream job on your first audition, especially directly out of school, rarely happens. I definitely need to cast a wider net, and start auditioning for more things. Perhaps a job that doesn’t sound particularly appealing could end up being a diamond in the rough!
Schaffer Schuessler: The audition process has been a thrilling roller coaster ride. I do not think that those knots in my stomach will ever go away when I first check in and take a look at all the other dancers I am auditioning against. But, that nervousness quickly disappears because all I have to do is dance and be myself. I have done auditions for Disney, Royal Caribbean, Broadway, Sleep No More, New York City Opera, and Pilobolus. I am especially looking forward to auditions with Alvin Ailey, Complexions and The Radio City Rockettes.
Lila Simmons: The audition process is ongoing. It’s been going OK. I used to love auditions when I was in high school. Now that it really matters, and my life plan basically depends on it, I’m not as positive or easy going about it. But, I try not to get stressed about auditions. There are so many different things that people are looking for, that it’s not always based on your dancing. I’m mainly drawn towards contemporary ballet dance jobs, but I’m also drawn to paying jobs in the “real world” to help pay for my career.

(Pictured: Lila Simmons; Photo Courtesy of Ella Bromblin)
What do you love about dance?
Michaela McGowan: I love going to class or rehearsal and knowing that from the moment I walk into that studio, I’m walking into a brand new experience. I love waking up in the morning knowing that I’m going to learn something new that day. I love performing for an audience and knowing that my movement has touched them in some way, whether it be some kind of personal epiphany, or a simple smile and laugh after a long day at work.
Allison Schieler: My love of dance is definitely slightly masochistic. I live for the sore limbs resulting from an amazing, intense class; I love pushing myself to the limit– jumping higher, stretching further. In dance, self-improvement is tangible and physically noticable. So, not only is it a creative outlet in which I can express everything I feel and know through movement, but it creates constant opportunity for accomplishment and exploration.
Schaffer Schuessler: When I am not dancing, I crave it. I love dancing because of the discipline and the extreme concentration I must devote when in class, in rehearsal or on stage. Dance is not just physically demanding but it requires an extreme amount of mental determination. Dance has made me a strong individual, and I have learned to work with others on a level that not many comprehend.
Lila Simmons: Dance is just in me, and it makes me dance. I’ve often thought about the fact that my whole life I’ve been working hard towards something that can’t sustain me economically, but it’s those times when I’m not dancing that I realize how much I miss it and can’t see my life without it. I get so antsy just sitting still; imagining myself not dancing seems unreal!
-Christina Pandolfi